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The tradeoff for plot

As a writer, plot is very important to me. I care about other things too, of course-- character, voice, style, things like that --but I have a very hard time getting invested in a story unless "something interesting happens" in it.

It also happens to be part of the writing process I'm pretty good at. I have a lot of ability to figure out cool events to occur in my stories, and those stories make sense such that the reader can follow their progress, and they unfold at an appropriate rate of speed. Most of my stories have pretty dynamic, solidly-constructed plots. Good examples of this include The Tailor at Loring's End with its well-built mystery, as well as the way the action facilitates interpersonal stories in the Mrs. Hawking plays.

However, when you care about establishing plot in that degree, it takes a lot of time and work. You find yourself having to devote a lot of your story just to the ensuring that everything that needs to happen has time to happen. It puts a really high demand on utilizing moments for multiple purposes at once, such as to advance the plot AND reveal the character. That's very difficult. One thing I particularly struggle with is subtext, I tend to have much more direct conflicts of feelings and motives instead, so making a limited amount of text perform double-duty is very challenging for me. I need to get better at it.

I think of this because I'm currently doing the script edit for Puzzle House Blues, the musical I'm co-writing. After a fairly intensive restructuring of plot events in order to make the arcs work, we've gotten to a place where we're happy with the structure. But now the concern is to make sure there's enough character in there as well, that the audience can really tell who all these people are. It's challenging because a piece for theater performance for a modern audience needs to not exceed a two-hour runtime, and a certain large percentage of a musical must be devoted to the music. So I need to work on my skills at using every line economically-- so nothing is sacrificed for plot or character. 

About Me

My name is Phoebe. I'm Boston area theater professional and English professor focused in writing, acting, directing, and modeling. I'm known for having lots of interests, lots of opinions about those interests, and a very high estimation of the value thereof. This blog is for talking about whatever's on my mind, from my daily life to my activities to musing on any number of abstract topics. Thanks for taking the time to read.

My productions:

Upcoming Productions:



MRS. HAWKING part 2 and 3


at the Watch City Steampunk Festival 2016

presented by The Chameleon's Dish

Vivat Regina
by Phoebe Roberts

at 2PM

and

Base Instruments
by Phoebe Roberts

at 6PM

Saturday, May 13th 2017
at 274 Moody Street, Waltham, MA

Other Achievements:

"The Tailor at Loring's End" screenplay
Quarter Finalist in the Final Draft Big Break Screenwriting Competition 2013

"Adonis" screenplay
Top Ten Percent in the Bluecat Screenwriting Contest 2015

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