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Tonight I had a phone conversation with the gentleman who is the director for my reading of Mrs. Hawking at Lesley. It was a very interesting conversation, but I had no idea what to expect going in. This is a weird process, I must say. I believe that the actors were arranged by Kate Snodgrass, an awesome professor in my program and a major figure in Boston theater. But as I doubt she read my play, the actors could not have been cast based on fitting the roles. What I suspect happened is my adviser Jami Brandli, who I liked very much, passed on the play's requirements in the most general terms-- a middle-aged woman, a young woman, two middle-aged men, et cetera. Okay, I guess I should have expected as much, but there are things I kind of hoped for in order to really hear how the play sounded. For example, I want to hear if I really emulated the Victorian voice, so ideally I'd get to hear it read in an English accent. The director implied that it might in fact be possible with this group, but I'm sure such a thing wasn't taken into account in the casting. Also, there's no rehearsal time. It's just a cold read. Again, that's fine if that's how it works, but I do wonder what the director has to do if there's no time to work on these things beforehand.

Of course, he may just be solely for my benefit, getting the perspective of somebody who reviews scripts for production professionally. And I was glad of what he had to say. He had a lot of good responses, and though he was trying not to criticize, he gave me his early reactions to a lot of things that pointed me in the direction of what I should possibly work further on. For example, he got me thinking that a lot of things I assume the viewer understands about how Victorian culture works-- such as how it would be very odd for a wealthy society matron like Mrs. Hawking to not have a housemaid --might not necessarily be clear to somebody who wasn't as educated on the subject as I am. He also had questions about the figure of Colonel Reginald Hawking. I want him to come across as mostly a good, decent man, but one who completely invalidated the person his wife truly was because it didn't fit into his patriarchal schema. But the director suggested that if that doesn't come across, Mrs. Hawking's anger with him may not be sympathetic. I want it to seem harsh, but at the same time understandable.

Also, and this was a bit vindicating, he found act one scene two where Mrs. Hawking and Mary are getting to know one another to be excessively abrupt. I thought that myself, and in fact it was longer in the original draft, but after receiving critical feedback that it was too slow, I cut it. It pleased me to hear a professional director agree that there needed to be more of the two of them getting know one another. Also, he was familiar with the writing styles of those like Coward and Wilde that I was working to emulate. As great as the instruction I've been receiving has been, one perspective I haven't had much of is whether or not I achieved that emulation. It was cool to have somebody be able to tell me I did that. 

I'm excited to see how it goes. I wish I had time to incorporate some of his suggestions, but I've already printed all the scripts. So we'll see what happens, if you join me this Tuesday. Remember, it's this Tuesday January 8th from 6 to 8PM in the Marran Theater in the Student Center, Doble Campus, Lesley University at 29 Everett Street, Cambridge, MA.

About Me

My name is Phoebe. I'm Boston area theater professional and English professor focused in writing, acting, directing, and modeling. I'm known for having lots of interests, lots of opinions about those interests, and a very high estimation of the value thereof. This blog is for talking about whatever's on my mind, from my daily life to my activities to musing on any number of abstract topics. Thanks for taking the time to read.

My productions:

Upcoming Productions:



MRS. HAWKING part 2 and 3


at the Watch City Steampunk Festival 2016

presented by The Chameleon's Dish

Vivat Regina
by Phoebe Roberts

at 2PM

and

Base Instruments
by Phoebe Roberts

at 6PM

Saturday, May 13th 2017
at 274 Moody Street, Waltham, MA

Other Achievements:

"The Tailor at Loring's End" screenplay
Quarter Finalist in the Final Draft Big Break Screenwriting Competition 2013

"Adonis" screenplay
Top Ten Percent in the Bluecat Screenwriting Contest 2015

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